Jacqueline Bisset

There was a big birthday party for Bob Markle at at the Masonic Temple. Gord Lightfoot highlighted the show. Old friend Michael Sarrazin came with his steady girlfriend Jacqueline Bisset I was out with them at the bar the night before and she was kind of shy and didn't really meet a lot of people. I think Jackie was a bit fed up with Michael's drinking and by the time they got to the Masonic Temple they were barely talking. As I was the only one else she knew at all she hung out with me most of the night. A nice line in my memoir 'spent the evening dancing with Jacqueline Bisset stoned on acid.'

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Keenan Wynn

This is me with Keenan Wynn during the shooting of 'The Ballonist' a "Littlest Hobo" episode shot in my parents home in Uxbridge Ontario in the Summer of 1980. It was directed by Allen Eastman (Alien) and Keenan enjoyed tormenting him a bit. Keenan and I spent the breaks talking about movies like 'Dr. Strangelove' etc. it was a fun afternoon. Keenan had the shakes a bit and didn't want to sign autographs, he always had the continuity girl around to take poloroids and gave out pictures instead .

Elway Yost

My sister Gaille was Elway Yost's secretary for a few years at TV Ontario. "I had the incredible opportunity to meet and engage in conversation with the talented Elwy on multiple occasions. On two separate occasions, I was even asked to be a stand-by guest for his show, Magic Shadows. Though I never had the chance to step in, just being considered by Elwy himself was an honor I will never forget. As a devoted fan of Magic Shadows from the very start, these moments were truly unforgettable.

Patrick McGoohan

I met Patrick in The 22 and asked him what he was doing? This was his answer. We chatted for a couple of hours. I think he had just finished Scanners. The Club 22 at the Windsor Arms was an amazing place in 70's & 80's. It was like the hub of movie business in Toronto. Every day there was an adventure of some kind. Robert Miller was a writer for McLean's Magazine and CTV and had recently turned to novels like Dreadlock and some movie biz with Bill Marshall. I had bravely written my first screenplay and had given a copy to Bill Marshall. So we are sitting at the producers table with a few cronies at the mostly empty Club 22 and Bobby says come here I want to talk to you. he leads me to the empty piano bar. He tells me he picked up my script at Bill's office and read it. He than told me I shouldn't be in the movie business and picked my script apart line by line. He was good, he had a photographic memory and a grounding in writing and English and literature that w...

Gary'sGlimpses

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