Skip to main content

KEN DANBY



I hung out with Ken for a while at his coffee house in Toronto. The New Gate of Cleve. I was hanging out with him one afternoon. He was working on a poster for Mariposa 63. Ed Cowan came by and through him I ended up with a job at the Mariposa Folk Festival. Somewhere along the way Ken broke a leg and was hobbling along with a cast.
A couple of weeks after Mariposa, Goodwood Go track had a big festival weekend with concerts and a tent city. I was a duty bootlegger. I had a tent filled with booze. Ken stayed in the tent with me. When suddenly we were raided by the provincial police. Ken and I sneaked away and sat up on a hill and watched the police check every tent except for mine. Ken was pretty much a wild guy to hang with at this time. I think this was his last hurrah. It was the last I saw of him as he suddenly cleaned up his act and concentrated on his painting.Ken Danby (1940-2007) was one of Canada's foremost practitioners of contemporary realism. Rooted in the Canadian psyche, nourished by his Ontario rural roots, Danby's subject matter was broad and expansive, yet it was the images of Canadian landscapes and life that captured the public's attention. 
At the Crease, a 1972 egg tempera painting depicting a nameless hockey goalie viewed from ice-level, was his best-known work, and for many, it defined him as an artist.

Comments

Popular posts from this blog

Gordon Tootoosis

In the heart of Toronto, I ran an exclusive after-hours bar, a hidden gem known for its unique clientele and enigmatic charm. Gaining entry to this clandestine establishment wasn't easy; you either had to be a celebrity, most notably a musician, or have the privilege of knowing me personally. This unwritten rule provided a layer of secrecy that kept the authorities at bay for a long time. It was a sanctuary for those who craved anonymity and the freedom to unwind without the scrutiny of the public eye. One memorable evening, as I was tending to the door, a tall man donning braids and a large white cowboy hat appeared. He introduced himself in a confident yet humble manner. "Gary, you don't know me. I am Gordon Tootoosis," he said. "I am an actor, and a good actor too, I can play any tribe." His earnest declaration and imposing presence were enough for me to grant him entry. Gordon's reputation preceded him, particularly for his role in the movie Alien Th...

Elway Yost

  My sister Gaille was Elway Yost's secretary for a few years at TV Ontario. "I had the incredible opportunity to meet and engage in conversation with the talented Elwy on multiple occasions. On two separate occasions, I was even asked to be a stand-by guest for his show, Magic Shadows. Though I never had the chance to step in, just being considered by Elwy himself was an honor I will never forget. As a devoted fan of Magic Shadows from the very start, these moments were truly unforgettable.

Patrick McGoohan

I met Patrick in The 22 and asked him what he was doing? This was his answer. We chatted for a couple of hours. I think he had just finished Scanners. The Club 22 at the Windsor Arms was an amazing place in 70's & 80's. It was like the hub of movie business in Toronto. Every day there was an adventure of some kind. Robert Miller was a writer for McLean's Magazine and CTV and had recently turned to novels like Dreadlock and some movie biz with Bill Marshall. I had bravely written my first screenplay and had given a copy to Bill Marshall. So we are sitting at the producers table with a few cronies at the mostly empty Club 22 and Bobby says come here I want to talk to you. he leads me to the empty piano bar. He tells me he picked up my script at Bill's office and read it. He than told me I shouldn't be in the movie business and picked my script apart line by line. He was good, he had a photographic memory and a grounding in writing and English and literature that w...